Emma Kostyun (Blog # 3): History through Architecture, Music and Street Art

     Cuban architecture like many other countries with rich histories has a certain diversity that ranges from colonial structures to neo-classical, baroque, art deco, art nouveau, and eclectic. In my travels to countless different countries I have become jealous of the architecture that decorates every street. In America, our history is only so short that the oldest of our buildings are only a couple hundred years old whereas for Europe, Asia and even some of Latin America these buildings have been around for millenniums. Our own architecture in our country has changed from what we carried over from England to our own spin of colonial, victorian, craftsman, modern and contemporary. I personally love colonial architecture but more into what Cuba has which is from strong influences of the Moorish and Spanish, as well as some Italian, Greek and Roman Styles. I am excited to see the architecture in Havana and other places that we travel! Especially churches, of which I think are most important parts of architecture to understand a country's history. 

    Religion not only tells about the country's past and devotion but also tells about their music and how it influences it. Santeria, the religion found in Cuba, influenced their music. Each orisha, or deity, is associated with colors, emotions, Roman Catholic Saints, and drum patterns called toque. Elements of this religion's music began to take root in many other genres of music like Folk and Pop. Music History has also been something that I have been interested in, I studied Music Theory in high school, I worked for music organizations as well as perform myself. Cuba has had many countries be influence to their music and has been influence to many other countries as well, contributing to the development of jazz and salsa, Argentinian tango, Ghanaian high-life, West African Afrobeat, and Spanish "nuevo flamenco." Some types of traditional Cuban music are Guajira, Musica Campesina, Danzon, Charanga, Changui, Son, Rumba and Timba. All of which I am excited to hear and perhaps dance to! After the Cuban Revolution Cuba established a music education for all of it's students because musicality is a important part to Cuban culture so they begin to teach it at a young age. For those of us that watched Esteban, we saw this in there where young Esteban was taught music in his school but sought to learn piano as well. Throughout the movie he was able to gain private lessons and inevitably ended up auditioning for La ENA (I believe) at the end of the movie. 

    One of the most popular music forms is Rumba which is a root rhythm for voice and percussion that has cross-fertilized with mambo, salsa, and jazz. It represents Cuba's African influences, it is energetic and soulful, using conga drums, claves, maracas, scrapers, and bells. Cuban dancing dates back to the Spanish's first arrival when they brought with them guitars and violins. This also helped the development of Cabarets (espectaculos) which are an important part of the entertainment scene. As someone who really enjoys Cabarets I am really excited to perhaps witness one of these shows because it is absolutely one of my favorite things. 

    Street Art in Cuba is something that I am also looking forward to as it is a very artistic city. I did not know it was quite rare but I am still excited to see what it has. Some of the abandoned derelict buildings that we might see in America with Graffiti tags are used more for murals in Havana. Many neighborhoods house many murals and figures on the walls as a product of the young street art movement. 

My Questions: 

  1. Personally, what is your thoughts on street art? Do you think it has to have a particular style to be considered street art vs being considered Graffiti? 
  2. In many other communist countries the building architecture is very boxy, plain and simple; why might that be different in Cuba? 

Comments

  1. I think that what is considered street art is a matter of the viewpoint of the people. For example, in America we don't often see graffiti as street art as much as we do a stain on society, or a nuisance and destruction of property. On the other hand, France sees graffiti as an important part of their societal culture and something that should be appreciated artistically. This difference lies mainly in their opinions of the matter, rather than style. However, there certainly are examples within America, where a mural may be seen on the side of a building, and isn't seen as a nuisance. Is that due to style, or because it was pre-planned? Who knows.
    I think that part of the reason that Cuba is an exception to the plain, boxy architecture of other countries, because rather than ignoring the influence of other cultures on Cuban society, Cuba embraces it. I think that the Cuban people realize that their roots stem from so many different cultures, influences and societies that all of them together make Cuba what it is. I can't say that other communist countries don't do the same, but a lot of communist countries in history have a tendency to shelter themselves from their past, outside influences, and other cultural impacts. This leads them to have/develop their own manner/style of doing things that doesn't change as much. In some ways, it's a form of control in my opinion and signifies social cohesion within society.

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    1. Chris I totally agree with your analysis of the sort of "staleness" that is seen in much of the architecture within socialist countries. I like how you contrasted that to Cuba which goes against this standard with their vibrant architecture. I agree that many communist states in the past had a tendency to "disconnect" from their cultural heritage, and instead they tried to create a new, cohesive mono-culture that was easier to control. A good example of this is the classic "soviet bloc" architecture, which had sort of a brutalist/industrial style. I actually find the abrasiveness/dullness of soviet-era architecture to be really strangely beautiful. But it absolutely stands in contrast to Cuba's intensely historical and diverse architecture.

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  2. Hi Emma,

    Great analysis! I really enjoyed the personal touches about your interests in music and your experience with travel. As for your questions...

    1. I really appreciate street art. I think it can do a lot to break up the monotony of urban sprawl. Modern city designs tend to be minimalist and rather lifeless. Street art can add character. It also helps show the culture of a city and can occassionally even be a voice for social change. While I think most graffiti should be considered street art (graffiti culture is a fascinating subject, if you're interested), simply tagging ones name on a wall without any artistic intent lands closer to vandalism. Graffitied names can be extremely ornate, but simple tags tend to make the building their sprayed on look worse.

    2. I imagine that this is partially due to the fact that many buildings date to long before the rise of communism (i.e. colonial and neo-classical). The Cuban revolutionary government also put a lot of emphasis on art being the "weapon of the revolution," which likely contributed to the desire for beautiful buildings.

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  3. Your post was very good. I enjoyed reading about the various styles of dance, the types of architecture, and the influences of other countries on architecture.
    In terms of your first question, I think all street art is art, but I think not all street art is graffiti. I think the intent behind the art matters and the meaning. If the art is promoted, and the artist has permission, (say to do a mural) I think that is street art. If they do not have permission and they are defacing property I think that is more like graffiti.

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  4. 2. It is interesting to think about how the architecture in Cuba varies from other communist countries, it could be for a variety of reasons. Unlike the other communist countries, Cuba has a lot of spanish influence in it's building style as well as a mix of other colonial and eclectic designs. You specifically referenced the "boxy, plain and simple" architecture that is seen in other places. This is more unique to countries from the former soviet union. Buildings were designed that way because of the massive population size and the need for large scale housing infrastructure at a low cost.

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  5. Hi Emma,
    I like looking at images of both street art and grafetti because both bring art to life.
    I also liked how street art in Cuba represents the history behind it. To be considered street art versus graffeti, I think street art is more focused on images combined with words to show people the message the artist is trying to portray. In my opinon, grafetti is focusing more on self expression as well as making a marking on public territory.

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